收(shō(😯)u )到(🐝)媽(mā(🈂) )媽從山上寄來的蜜(❗)蘋(pín )果，小月(yuè )計算著，媽(⛰)媽已經(📞)在(zài )外工作許久了(🔴)，媽媽(😪)(mā(🥖) )的搖(♓)(yáo )籃曲(qǔ )總是在耳(🔡)邊呼喚著。『你(nǐ )媽(🧣)多久(😚)沒回來(🌄)了(le )？』是小(xiǎo )月（(📨)13歲）與(🀄)碧艷(♏)（15歲(suì )）兩(liǎng )個小(🎢)(xiǎo )女孩彼此關心的(🐴)(de )話語(👕)(yǔ(🔷) )。

巴勒(💌)斯坦電視台攝(shè )製(🙃)臥(wò )底肥(féi )皂劇，連以色(💻)列(liè )婦(✍)孺(rú )都晚晚追看。編(🈸)劇因(🚵)(yī(✔)n )情節(🍓)背離(lí )革命而辭職(🌈)，監製的(de )多口侄仔助理受(💟)命執(zhí(📣) )筆，頻頻(pín )借女角之(💢)口，向(💯)電(🥞)視(shì(🛳) )機前(qián )的舊愛示好(😶)，以(yǐ )色列(liè )檢查(chá(🦎) )站軍(🀄)官則企(🚞)圖恃權影(yǐng )響劇(jù(💫) )情發展(🌰)，以便(🏖)在(zài )追看(kàn )的嬌(jiā(🚞)o )妻面前自吹自擂。助(🔧)(zhù )理(⛹)即(🍢)(jí )使(🤲)槍(qiāng )抵腦殼，都不肯(🔻)(kěn )接受(shòu )軍官要求的大(🚛)團圓結(🈹)(jié )局。抗爭(zhēng )，必須繼(🚳)續！影(🎢)(yǐ(⛹)ng )展新(⛲)(xīn )秀蘇亞比巧妙調(👆)侃以(yǐ )巴關係，他的喜劇(🤵)座右銘(💰)是：要能大笑，必須(🚬)面對(🐪)(duì(🐎) )苦痛(🆑)，並(bìng )與之周旋。獲威(🌟)尼斯(sī )地平(píng )線單元最(🎡)佳男主(🛳)(zhǔ )角獎(jiǎng )。

查(chá )理和(🎌)布希這(💫)兩名(🙎)熱衷(zhōng )靈異(yì )事件(🚯)的追鬼狂熱(rè )者，只(🧘)要(yà(🕌)o )哪裡鬧(🕴)鬼就能見到他(tā )們(🍏)的(de )身影(yǐng )。兩人對於全美(🌶)(měi )最凶(🙂)(xiōng )的靈異地點「悲(🧢)慘山(📜)(shā(✡)n )」公(🏘)(gōng )路深(shēn )感著迷，當(🎲)然不(bú )可能(néng )輕易放過(🤮)這個捕(🕛)捉鬼(guǐ )影的難得(dé(🎛) )機會(🏒)。而(💶)兩人(🤶)在抵達(dá )當地後，也(🎒)接連目睹(dǔ )各種離奇(qí(🌿) )詭異的(🎫)超自然現象。

风度(dù(🔋) )翩翩的(🎥)医生(🕶)动了(le )色心(xīn )，欲(yù )迷(👃)晕少女但错手杀人(🍗)(rén )，险(🏳)(xiǎn )被送(🔆)上断头台，以为(wéi )逃(😶)出(chū )鬼门关，岂知魔鬼已(🚕)(yǐ )盯上(🕺)(shàng )他。战争前夕，他被(🏻)(bèi )发(🤯)配(🔨)(pèi )边(😾)疆，继而被奥匈帝(dì(🕋) )国将(jiāng )领重(chóng )用，沉迷研(🐜)究麻(má(🏂) )药乙(yǐ )醚。药物能麻(🐫)醉止(💞)痛(🌑)(tòng )，亦(🍍)能制(zhì )造不知痛楚(⛳)不懂畏惧(jù )的科学怪人(🛁)。而他心(♓)(xīn )底的欲望(wàng )，是想(💋)找到完(🐑)全驾(🍾)驭(yù )他人(rén )灵魂的(🀄)方法。赞(zàn )禄西(xī )继(🙍)《色》（(🍱)39 届）后(✅)再度审(shěn )视传(chuán )统(🗨)道德防线，两段式(shì )结构(gòu )揭示(🏈)妙手狂医跟魔鬼(guǐ(🎫) )握手(🛫)(shǒ(🚏)u )的浮(🐌)(fú )士德心路，亦检(jiǎ(📔)n )视法(fǎ )西斯之兴起，绝对(🐚)的(de )权力(👓)将令(lìng )人绝对腐化(⬅)。

During the slavery period in Brazil, a sugar cane farm was the stage for the darkest kinds of horrors. Years later, the place's cruel past is still stained in its walls, even if unnoticed, until a series of strange events starts happening and death returns to the farm. The film is divided in five short horror stories.

A detective and his partner tries to solve a murder case whilst finding themselves stuck in a 1940s, film-noir world.

Dave Stimple, an unfocused mattress store owner, is having issues connecting with everyone around him. He arrives at the shop one morning to find the local health and safety people have shut him down. Bugs, huge bed bugs and lots of complaints are cited as the reason. Dave is really confused and his relationships with his wife, friends, and his own humanity seem to be devolving and increasingly distracting anomalies begin to take over his reality. But his issues may not be as internal as they seem.